Friday, 11 October 2013
"She was so much a personality and so little anything else that even staring straight at her he had no idea what she really looked like."
Anyway! Things to discuss. So far, I kind of hate Enid, I definitely hate Chip (in my Franzen experience, each character gets a focus on them, and I'm kind of hoping Chip's is over) and I basically like Denise and Alfred. Oh, poor sweet ill Alfred, who actually I've just remembered is a big racist, so actually maybe I don't like him... I think a thing Franzen has done really well already is exploring the complexity of family relationships- Enid has a problem with Denise because she's not living the life she expects for women, Chip has a problem with Alfred because something something childhood trauma, Alfred and Denise are like one faction and Enid is kind of out there on her own... It's interesting, anthropologically speaking, is what I'm saying.
"'Oh, Chip... Your script starts off with a six-page lecture about anxieties of the phallus in Tudor drama!'"
Hmmm, what else..? Well, it's pretty ironic that Chip's all like 'BLARGH capitalism and advertising and everything is evil,' when basically all he thinks about is the acquisition of money. What are you going to use that money for, Chipster? Feeding starving children and saving the rainforests? Loljk it's actually just to get some more fanny.*
So I realise that I just said all the bad things, but really, I am genuinely enjoying myself with The Corrections. I'm enjoying hating Chip, I'm enjoying trying to decipher mother-daughter and father-daughter relationships, I'm looking forward to meeting the other brother (it's going to happen- I fear he might be even more of an arse than Chip!) and just generally for more of this book. It's really pretty good, in spite of all those things I just said. Yeah.
*Fanny as in vagina... I've just realised that you lot are mostly American and fanny is, you know, less gross over there. Damn.